Performance Worship: Is There A Problem?

perfomance worship 3

Church music has radically transformed in both style and instrumentation from the organ-led hymns of my childhood to today’s multi-instrumental worship songs. This has brought vibrant and refreshing new musical expressions of our faith. However, the trend towards performance-focused worship, amplified by digital media platforms like YouTube, makes me feel increasingly uneasy…

Newer Christian melodies can be harder for congregations to sing. Often, they are more complex, less predictable, and much wider in vocal range than the old hymns. Such factors potentially hinder worship participation. Might our active, communal worship experience turn into a passive spectator event? As we embrace the inevitable changes, how do we balance the appeal of modern music with the core purpose of public worship – fostering a united, participatory expression of our faith?

In the modern setting, church music is no longer dominated by pipe organs and traditional hymns. Today’s worship scene now embraces guitars, bass, drums, and a more contemporary sound. This change reflects a broader cultural shift and brings a new dynamism to worship services. It has not only refreshed the way we express our faith musically but also challenges us to adapt to new styles and formats. Might this complex, exciting new paradigm endanger our congregational inclusivity?

Today’s worship songs often feature less-predictable melodies. Simple verses and choruses have given way to extended song structures. The vocal range of many melodies has expanded well beyond the old soprano/mezzo-soprano norms. This makes corporate singing significantly harder for many church-goers. Contemporary tunes sometimes feel like a high bar for those who simply wish to join in simple song. Yes, the newer music is beautiful and intricate, and this is undoubtedly appealing, particularly to the less traditionally-minded. But might it inadvertently sideline the less musically-inclined? In our pursuit of musical excellence, are we creating a divide between the song leaders and the congregation? How do we strike a balance where everyone can participate and feel included in the worship experience?

In larger modern churches, services can seem more like concerts, marking a stark shift towards performance worship. Whilst I value musical excellence, is this nudging us towards a more passive form of worship? Worship, in essence, is about collective participation, not spectating. If services increasingly resemble rock concerts, we risk diluting this communal spirit. Even those churches just starting this journey should ask: are we encouraging genuine worship or just presenting impressive performances?

Social media rears its head every way we turn, and platforms like YouTube have significantly influenced worship music. While democratising music, they can also emphasise the visual spectacle over congregational involvement. Again, the result is a shift in focus from communal worship to performance-oriented presentations. Videos with high production values and charismatic performances are, I suspect, subtly steering the culture of worship. We must balance these digital challenges, ensuring that the heart of our worship remains rooted in engaging together with God.

If the aim is a shared experience of faith through music, then it’s crucial we find ways to make our songs accessible. Simplifying the structure, by removing a bridge, or a lengthy intro, can help everyone get used to a new song. Pitching the whole song in the best key for both the lead singer and the average church member is vital to ensure comfortable singing. When introducing new songs, sufficient repetition over a few weeks before moving on to the next one can help bridge the gap. All this can foster a more inclusive expression of faith. We must seek to create a space where everyone, regardless of musical ability, feels welcome to join in the chorus of praise. And if that means compromising on the intricacies of the YouTube version – just do it!

The role of worship leaders/lead singers continues to evolve. I don’t believe they should be just performers – they’re vital facilitators of communal worship. Whilst they should be capable musicians and communicators, they should also be able to handle the delicate balance between leading with skill and being aware of the level of congregational engagement. The goal is to lead the congregation into an authentic worship experience, involving everyone in a shared spiritual journey. A good leader takes us with them, into an attitude of worship – because we are called to be worshippers, not worship-consumers!

Come, let us bow down in worship, let us kneel before the Lord our Maker”
(Psalm 96:6)


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